02 October 2011

♪Experiencing Japan



Hi.
Japanese event is soon coming on 8th October at St George's West Church in edinburgh.
I have played Shamisen 3 years ago at this event organized by Japanese woman named Harumi.

At this event, I performe with my Scottish student the first time in my life. I'm so excited to play with somebody anyway.

I'm still thinking what I play at there...Umewa saitaka, Tankoubusi, Soranbusi, Oisemairi, Gionkouta etc...

We will performe Shamisen around 14.00pm.

12 August 2011

♪Edinburgh Festival 2011

We performe The Tea Celemony with Shamisen

@St John's Church (venue 127)(FREE/Donation)
9th Aug 11AM-NOON
20th Aug 6PM-7PM
23rd Aug 11AM-NOON

@National Gallery Of Scotland
21st Aug 3PM-4PM
The event takes place in the Elizabeth Blackadder exhibition
http://www.nationalgalleries.org/whatson/calendar/5:367/date/2011-08-11/20/event/21014

If you are near there, come to have a cup of green tea!

29 March 2011

♪Stand with Japan


The Japanese event at 7.30 pm on Wednesday 30th March.

There will be a Japanese Tsunami charity concert held at St John's Church at the west end of Princess Street, Edinburgh.


17 March 2011

♪Charity The Tea Ceremony for Japan


We perform the tea ceremony at the charity event for Japan.
Come to have a tasty green tea and enjoy the music of Shamisen.
We hope this make people in desaster area smile someday.

Scottish Poetry Library 7:30pm on 26th of March.

Scottish Poetry Library
5 Crichton's Close, Edinburgh, Midlothian EH8 8DT









www.nytimes.com

08 August 2010

♪Edinburgh Festival 2010

JAPANESE TEA CEREMONY

4pm – 5pm at St John’s (venue 127)
http://www.stjohns-edinburgh.org.uk/


We perform the tea ceremony with my Shamisen playing on 17th and 25th August.
Come to have a cup of green tea!

14 November 2009

♪The song URASIMA(浦島)

This song was composed about "URASIMA TARO" that is well known as a tales of old Japan.
The story of the tale is told later. The Nagauta story is little bit different from the tale. Main charactor a fisherman Urashima Taro has just parted from his lover Otohime who lives in a palace in a ocean. The story is about his ardent love with her. It's the spring song, he is waiting on a letter from her everytime when he sees petals blowing in the wind and butterflies hovering. Or he remembers the days with her in the ocean.


The story of
Urashima Taro

A long, long time ago in Japan there was a young fisherman who lived by the seashore. His name was Urashima Taro. One day while he was walking along the beach, he saw that some boys had caught a big turtle from the sea and were teasing it and hitting it with sticks.
 Now, Taro was very kind hearted and hated to see people being cruel to animals. Sohe said: "Boys, please let the turtle go. It's a nice animal and you shouldn't be mean to it. Put it back in the sea."
 Then the boys were ashamed of themselves. They put the turtle back in the water and watched it swim happily away.
 Several days later, Taro was again walking along the beach when he heard a voice saying: "Taro! Taro!"
 He looked around, but couldn't see anyone. "Who is calling me?" he called out.
 " Here I am," said a voice from the sea. It was a turtle, who came crawling up on the sand. " I'm the turtle you saves the other day. When I returned to the palace under the sea, I told the Sea Princess what you had done. This made her very happy, and she asked me to bring you to see her."
 Taro said: " I've always wanted to visit the bottom of the sea." So he climbed on the turtle's back and was carried off very far and very fast to the great palace on the floor of the deepest sea.
 Hw was taken inside the beautiful palace, which was made of cotal and crystal, and there he met the beautiful Sea Princess. "Taro, you were very kind to my good subject, the turtle," she said to him. "I wanted to thank you, so I had him bring you here. Please be my friend and stay in the palace forever. We will be very happy, and you shall have everything you want."
 So Taro stayed in the palace with the Sea Princess. He ate wonderful food, saw wonderful things ans was very h appy at first. But after a while-after only a few days, he thought-he began to be lonely for his home and his friends back on the shore. He wondered how his father and mother were.
 Finally, one day he said to the princess: "I've been very happy here, but I want to go back to the land and see my home and my friends. Please send me back."
 "All right, Taro," the princess said, " if you are determined to go, then I'll send you back. But I'll be sorry to see you go. We've been so happy together. In memory of your stay here I'll give you this beautiful bow. As long as you have this, you may come back to see me anytime you wish. But, Taro, don't open this, ever. If you open it, you'll never be able to come back. Be sure! Do not open it!"
 So Taro took the box, thanked the princess for the wonderful time, climbed on the back of the turtle, the village had changed, He could no longer his own house. He asked some people on the beach. " Where is Urashima Taro's house, and where are his parents?"
 "Why, young man," they answered, "you're asking about hings that were here many , many years ago. Urashima Taro was drowned before most of us remember. What strange person are you that you do not know this?"
 Taro was very puzzled. How could this be? He was the same-or so he thought-and only the people and the palace were different. Could it be the secret of his strange thing was in the box that the Sea Princess had given him? He thought about this for some time, and then at last he decided to open the box, even though the Sea Princess had warned him no to do so.
 He took off the lid, and a strange white smoke came out and curled about him. He touched his face and discovered that his face was all wrinkled and that he had a long white beard. Without realizing it, he had spent many, many years at the bottom of the sea, not just a few days. The magic box had kept him always young, but now the smoke from the box had turned hin into the old, old man that really was. All his friends were gone, and now that he had opened the box he could never return to the palace of the Sea Princess. He stood weeping on the shore.

-told as it is "Japanese Children's Favorite Stories" by tuttle publishing.-

11 November 2009

♪Japanese Festival at Dundee


'A CUP OF PEACE AND SIMPLICITY'
I play Shamisen and my friend serves a green tea at the tea ceremony.
I'm excited for this. check the site below.
http://sukitooruyume.org/programme.html

16 August 2009

♪Edinburgh Festival

Hello.

I had a holiday last month in Japan.
This time, I brought my Shamisen back with me to renew the skin.
The skin is tighter and newer, it makes better sound.
I'm looking forward to playing with it in next time...

♪At St. John's church in edinburgh
4pm on 26th August, ticket free

I play Shamisen with the Japanese Tea Celemony.
come to have a tea!

hiromi

25 February 2009

♪Woman's Day


Celebration of International Woman's Day


I play shamisen at the event but only for 10min.
Only woman allow to enter the event.

02 June 2008

♪Experiencing Japan

WOMEN’S FEDERATION FOR WORLD PEACE SCOTLAND

The Women’s Federation for World Peace is actively working to bring mutual understanding and reconciliation among the different races, cultures and religions. WFWP Scotland has been supporting children and women in different countries like Albania, North Korea and African countries. We are also working for environment issues locally.
This event is organised for every one of all ages to enjoy experiencing the Japanese culture.
Demonstrations of Kimono dressing,
Japanese Tea ceremony,
Koto (Japanese harp),
Shamisen (three-stringed Japanese instrument)
Hand-on Experience of Origami,
Brush calligraphy,
Colouring of Japanese themes for small children.
Stalls of Japanese products, and handmade goods,
Japanese food,
Eco products,
Baking products (baked by the Youth).
Lucky Dip


DATE: 14th JUNE (SATURDAY) 2:00 – 4:00pm
VENUE: St George's West Church
Shandwick Place,
(West End OF Edinburgh)
ADDMISSION FREE



Looking forward to seeing you there!

This event is supported by FFWPU Scotland. (Registered charity number; 267917)

23 February 2008

♪KimonoMackintosh2008


I play Shamisen as a back music of tea celemony tomorrow.

21 September 2007

♪At St George's Shcool


I played Shamisen at St George's School, Edinburgh on cultural day of the school.
As usual, I played it as a backmusic of Tea ceremony.
Two Japanese 5years old girls performed tea ceremony, and some school girls tried to do it.
Tea time is only 45min, so I played 2 tunes.
Two girls made everyone smile...It was nice at the school.

I love some words that the Tea ceremony woman said like below,
" During Tea ceremony, we are just quiet. Because when we meet your friend again, we have a lot of stories to speak. But you just make a tea for your friend, your friend just drink the tea that you made it with your heart. There is no words but making tea suggest not only to glad to see you again but also all words. "

If you would like to learn Tea ceremony, please contact with me.
You can learn Shamisen as well.

14 August 2007

♪At Kilsyth

I had a very nice time at Kilsyth International Canival.
I have played Shamisen a couple of times as a backmusic of Japanese Tea ceremony this year.
Tiill then everytime Tea celemony people could only make a atomosphere on a Tatami mat where limited extent.
I thouht Music (This time is Shamisen.) helps to make more mood of Japanese Tea room.
To enjoy green tea and music....

07 August 2007

♪Kilsyth International Carnival

This is a Festival at Kilsyth not in Edinburgh...
I will play Shamisen at there as a backmusic of Japanese Tea Ceremony.
This time I will play Minyo music as well as Nagauta music.
Performance will be more than 4 hours long, so we should be relax.
Feel free to come to the festival!
           
           http://www.kic.me.uk/

05 June 2007

♪SAKURA

The title of this tune is SAKURA. It says Cherry blossom in english.
This is a very famous tune in Japan. Easy to learn and remember.

♪Press position

Open string. Without pressing.
Repeat tone.
Press at the first joint of the first NECK.
Most important position.
Repeat mark. Repeat just bars before.
Press at the just below CHIBUKURO.
Most important position next to "4".
Half way between "1" and "4".


Half way between "1" and "3".
A position you press with your middle finger without stress when your index finger is on "4".
Just about 5mm below the second joint of the first NECK.
A position you press with your middle finger without stress when your index finger is on "6".
A position you press with your ring finger without stress when your index finger is on "6" (You don't use the ring finger everytime you press "8"). Just about 12cm below from the position "4".
Just about 14cm below from the "4".
0・superoctave from "0". Just about 20cm below from the "4".
1・superoctave from "1". Evertime you press with your middle finger.
2・superoctave from "2".
3・superoctave from "3".
4・superoctave from "4".

18 May 2007

♪Past Event

Japanese Family Day at Lauriston Castle on Sunday 13 May

It was a free event.
I should have told the event before it was held...

I play Shamisen as a back music of Tea ceremony in a Japanese garden.
It was a first attempt I play with Tea ceremony.

Very excited. I could concentrate to make a mood.

I hope everyone had a nice and good green tea.


I will carry of a photo next time...

18 April 2007

♪How to make a sound

                      fig.1
                      fig.2
                      fig.3
First you place the flat end of the plectrum to the skin around there on the picture fig.1.
At this point you make the angles of 35 to 40 degrees between the skin and plectrum.
And with the pinky finger touchs the skin.


You swing the plectrum up with your wrist then strike down to the both string and skin same time. (fig.2 and fig.3)

When you strike the string, imagine you are cutting it with the edge of the plectrum.
Striking the sound through to the other side of the BODY.

♪How to hold a plectrum




Hold a plectrun like the pictures above.

First, hold the thicker end of plectrum between the pinky and ring finger. Then support with the ring, middle and index finger. And place the thumb on the flat end about 2cm from the edge.

Hold losely between middle and index fingers.

02 April 2007

♪How to hold a shamisen


Put Shamisen in front of your knee, then hold "NEO" with right hand. And with left hand you hold Shamisen up by joint on your palm.

Put the BODY on right knee, at this point leaving a gap of a fist between BODY and your hip.

Set an angle where you can see all strings. The height of the NECK, the second rolling peg is in parallel with your eyes.

Then place your arm on the BODY lightly. How lightly is like when you release from your grip, you can hold your Shamisen useing just your right arm.

20 March 2007

♪An exchange method of a strings and rolling.

There are three strings, thickness is different respectively. They are first string, second string and third string from the thicker one. It made from silk. But we use nylon one just for third string. The string is begins to connect with from Body.

At first, it lets string pass to NEO.








09 March 2007

♪Japanese Event in Glasgow



I might play shamisen in Glasgow not in Edinburgh...
It would be a good to change my blog name...

19 February 2007

♪Tunung

Hon-choshi, Ni-agari, San-sagari are the main tones.

Hon-choshi is the basis of tuning tone. String1 and String2 is Perfect 4th. String2 and String3 is Perfect 5th. Basically it's like Tea/Me/Tea.

Ni-agari is like a upbeat mood.
One tone above String2 from Hon-chohi. (Tea/Ray/Tea)

San-sagari is like a stylish mood.
One tone below String3 from Hon-choshi. (Tea/Me/La)

09 February 2007

♪Music score

My musical score is written in numbers( showed below). The press position is almost decided on the Shamisen. The musical score is different for different schools. But a long time ago, there is no musical score, they learned how to play by watching and hearing.

     Fig. 1


     Fig. 2


The music score has three holizontal lines ( Figer.1 ) representing the string of the shamisen ( Figer.2 ).
When you play, you press the indicated string with left finger at the point of the number shown on the score.
One-four time for a block, one bar for two blocks. That's the basis.


27 January 2007

♪What is a genre of Nagauta Music

I play a genre of  NAGAUTA with Hosozao Shamisen (a thin neck Shamisen).
Nagauta (literally "long song" ) was originally created as dance music. After it's creation, many other kinds of music influenced Nagauta to help it to develop its own style. However even Nagauta specialists say that because Nagauta doesn't have a particular style of melody is difficult to tell it a part  from other styles.

12 January 2007

♪Playing Techniques and Basic Features

Press point as a rough

















Left-Hands Techniques
Three strings and no frets.
Press point each numbers with your first three fingers.
Find a tone on a string useing your fingers and ear. If your fingers move 5mm eitherway from the point, you would be off key.
Finding a tone with your fingers is one of a pleasures of playing Shamisen.


Right-Hand Techniques
The body is leathered on both side. Striking a string downward with a big plectrum.
You strike a string and touch the skin at same time with a plectrum. And strinking the sound through to the other side of the body.
Making a good sound like this is one of a pleasures of playing Shamisen.

♪What is Shamisen?

The Shamisen is a lute instrument with three strings. The body is stuck on a pole, the neck. Body and neck can be taken apart. The neck can be spilit into three pieces. So the Shamisen is easier to tansport.

■ A unique feature of Shamisen is "SAWARI". The sawari is created by the sound of the first string where it touches the wood slightly at the top. The second and the third string doesn't touch the wood so doesn't have sawari but when you press some particular point during playing, it sympathizes with the sawari and it makes a unigue sound. This makes a resonant sound. I think it is difficult to imagin the sound of sawari. It's a kind of noise. It's a vibrating sound.

■ History
There are several theories about the arraival in Japan of Shamisen. One is, the Shamisen has it's origins in China. Around 16th centry, From china the instrument came to Japan then it was improved many times and became the Shamisen. The Shamisen was and is still used as principal instrument for back ground music in Japanese theater, And with rising atraction KABUKI during Edo period, the popularity of this musical instrument soared.

The Edo period is a division of Japanese history running from 1603 to 1868. It is the premodern era. 

22 November 2006

♪Introduceing myself


My name is Katsunagisa Kineya (Not my real name. It's a Master name). I would have fun if I could play Shamisen at somewhere else. I have been in scotland with my Scottish husband for 4 years. When I was Japan, I've learned traditional instrument Koto for 10 years and Shamisen 5 years. I've been studying Shamisen for myself since I left my teacher.